- Main
- Society, Politics & Philosophy - Cultural
- Skin Shows: Gothic Horror and the...
Skin Shows: Gothic Horror and the Technology of Monsters
Judith Halberstamこの本はいかがでしたか?
ファイルの質はいかがですか?
質を評価するには、本をダウンロードしてください。
ダウンロードしたファイルの質はいかがでしたか?
In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.
Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.
Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.
年:
1995
出版社:
Duke University Press Books
言語:
english
ページ:
232
ISBN 10:
082231651X
ISBN 13:
9780822316510
ファイル:
PDF, 15.76 MB
あなたのタグ:
IPFS:
CID , CID Blake2b
english, 1995
オンラインで読む
- ダウンロード
- pdf 15.76 MB Current page
- Checking other formats...
- 変換する
- 8 MBを超えるファイルの変換を解禁するPremium
1~5分以内にこのファイルをあなたの電子メールにお届けします。
ファイルはTelegramメッセンジャー経由で送信されます。受け取るまでに1〜5分かかる場合があります。
注意:Z-LibraryのTelegramボットにアカウントをリンクさせていることを確認してください。
ファイルはKindleアカウントに送信されます。受け取るまでに1〜5分かかる場合があります。
注意!Kindleへ送信するすべての本は、メールによる確認が求められています。Amazon Kindle Supportからメールが送信されますので、メールをご確認ください。
への変換進行中。
への変換が失敗しました。